Kahnweiler, Daniel-Henry, Juan Gris: sa vie, son Е“uvre, ses Г©crits (Paris: Gallimard, 1946), pp.

by Franca Minoia (Milan: Il Balcone, 1945), p.

Apollinaire, Guillaume, I Pittori Cubisti, trans.

(New York: Museum of Modern Art, 1942), p.

Wheeler, Monroe, 20th century Portraits, exh.

(London: Alex Reid and Lefevre, 1938), n.p.

Alex Reid and Lefevre, LвЂ™Ecole de Paris, exh.

Zervos, Christian, Histoire de lвЂ™Art Contemporain (Paris: Cahiers dвЂ™Art, 1938), p.

, вЂњIts Foster Father Talks of Modern Art: Vollard Brought Out Painters of Genius,вЂќ New York Times (November 15, 1936), p. 10 (ill.), as Portait of Picasso (Hommage Г Picasso), 1912.

вЂњModern Museum Opens Show Despite Ignorance of U.

94), as Portait of Picasso (Hommage Г Picasso), 1912. (New York: Museum of Modern Art, 1936), pp.

Minneapolis Institute of Arts, Bulletin of the Minneapolis Institute of Art 25, 33 (December 5, 1936), cover (ill.), as Portrait of Picasso, 1912.

Buffalo Fine Arts Academy, The Art of Today, exh.

(Paris: Gazette des Beaux-Arts, 1935), n.p. Cogniat, Raymond, Les CrГ©ateurs du Cubisme, exh.33), xx (ill.), as Portait Picasso/Hommage Г Pablo Picasso/Portrait de Picasso, 1912. 11, ill.), 48, as Portrait of Pablo Picasso. Saiko, George вЂњThe Tragic Position of Abstract Art,вЂќ London Studio 5 (January 1933), pp.(Paris: Galerie Georges Petit, 1930), n.p. Galerie Georges Petit, Cent ans de peinture franГ§aise, exh.Das Berliner Programm (Berlin, 1930) (ill.).(Berlin: Galerie Alfred Flechtheim, 1930), n.p. Galerie Alfred Flechtheim, In Memoriam Juan Gris, 1887-1927, exh.Henry, Daniel, Juan Gris (Leipzig: Klinkhardt and Biermann, 1929), p.Galerie Simon, Exposition RГ©trospective Juan Gris (1887-1927), exh.259 (ill.), as Portrait of Picasso, 1912. VГ©zelay, Paul, вЂњJuan Gris,вЂќ Artwork 4, 16 (Winter 1928), p.(Dresden: Internationale Kunstausstellung, 1926), p. Internationale Kunstausstellung, Internationale kunst ausstellung Dresden, exh.Einstein, Carl, Die Kunst des 20 Jahrhunderts (Berlin: Im PropylГ¤en, 1926), pp.Grohmann, Will, вЂњDie Kunst der Gegenwart auf der Internationalen Kunstausstellung Dresden, 1926,вЂќ Der Cicerone 18 (June 1926), p.Schiratzki, Der Querschnitt 5, 1 (January 1925), p. Gris, Juan, вЂњUber die MГ¶glichkeiten der Malerei,вЂќ trans.Allard, La Revue de France (March 1912), p. Apollinaire, Guillaume, вЂњLes Salon des IndГ©pendants,вЂќ LвЂ™Intransigeant (March 25, 1912), as Hommage Г Picasso.Vauxcelles, Louis, вЂњAu Salon des IndГ©pendants,вЂќ Gil Blas (March 19, 1912), as Hommage Г Piccasso.Block Reference Number 1958.525 Extended information about this artwork (93.3 Г— 74.4 cm) Credit Line Gift of Leigh B. Status On View, Gallery 391 Department Modern Art Artist Juan Gris Title Portrait of Pablo Picasso Origin Spain Date 1912 Medium Oil on canvas Inscriptions Signed and inscribed, l.r.: 'Hommage ГЎ Pablo Picasso/Juan Gris' Dimensions 36 3/4 Г— 29 5/16 in. At the same time, the inscription helped Gris solidify his own place within the Paris art world when he exhibited the portrait at the Salon des IndГ©pendants in the spring of 1912. The inscription, вЂњHommage Г Pablo Picasso,вЂќ at the bottom right of the painting demonstrates GrisвЂ™s respect for Picasso as a leader of the artistic circles of Paris and as an innovator of Cubism. Gris depicted Picasso as a painter, palette in hand. The artist further ordered the composition of this portrait by limiting his palette to cool blue, brown, and gray tones that, in juxtaposition, appear luminous and produce a gentle undulating rhythm across the surface of the painting. Here he fractured his sitterвЂ™s head, neck, and torso into various planes and simple, geometric shapes but organized them within a regulated, compositional structure of diagonals. Just six years later, Gris too was known as a Cubist and identified by at least one critic as вЂњPicassoвЂ™s disciple.вЂќ GrisвЂ™s style draws upon Analytic Cubism-with its deconstruction and simultaneous viewpoint of objects-but is distinguished by a more systematic geometry and crystalline structure. In 1906 Juan Gris traveled to Paris, where he met Pablo Picasso and Georges Braque and participated in the development of Cubism.

Picasso cubism portrait